少女心爆棚的感觉，总之好爱这部斑斓的电影.
母女二人相依为命的生活也那么精彩，一起去旧货市场淘宝，一起在阳台发呆.
这女儿太懂事了，宅女麻麻好可爱，脑洞里的二次元世界里好多戏，男主存在感不强，母女最后和外婆的和解很窝心，一家人始终一家人. 导演有点淘气，最后还来一发宝莱坞乱入的歌舞. 意大利电影界跟中国一样爱跟风那时显然拉了各种类似伊斯特伍德款型的哥们下场John Phillip Law也可归入此类（不过我就是很喜欢他的外形）. 遗孤复仇记，导演想走比较冷峻的镜头语言叙事，可惜剧本俗套了点有些情节不太合理（一开始坏人透过窗户明明能看到全家几口人咋会拉下了儿子不杀）老少主角互动还算OK，亮点：最后墨西哥小镇埋到只剩人头的拷问导致地上一个个骷髅和看来拍摄难度颇高的沙尘暴期间二打三十（若非沙尘暴这绝对糊弄不过去...）. 遗孤跟仇人甲对决前让酒吧琴师起三个音（响起的却是钢琴协奏曲），这桥段很酷. The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..
